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Datum objave: 13.10.2019
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Interview with photographer Steve Schapiro

Schapiro’s photographs from this time are some of the most important historical documents of the American 20th century.

Email:  sschapiro@aol.com

Interview with photographer Steve Schapiro

https://www.youtube.com/watch?v=zOdROz1sVPI


The Fahey/Klein Gallery is pleased to present Freedom Now, an exhibition of American Civil Rights photographs by celebrated documentary photographer Steve Schapiro. The exhibition opens in conjunction with the highly-anticipated release of Taschen’s edition of The Fire Next Time. This limited-edition publication pairs Schapiro’s photographs with two seminal James Baldwin essays, “Down at the Cross – Letters from a Region of My Mind” which tackles the relationship between race and religion, and the groundbreaking, “My Dungeon Shook – Letter to My Nephew on the One Hundredth Anniversary of Emancipation”.

First published by The New Yorker in 1963, The Fire Next Time, considered to be one of the most eloquent and powerful explorations of race in America, catapulted James Baldwin into literary fame. After reading Baldwin’s essays, Steve Schapiro convinced Life Magazine, where he had freelanced as a photographer, to let him travel with Baldwin from New York to Mississippi, documenting the Civil Rights Movement that was well underway. Schapiro notes of meeting and traveling with Baldwin, “Here was an intellectual, a brilliant man, and a black leader who never seemed to forget the importance of relating to each other as human beings. He had a hunger for love and believed in its power.”

With the publication of The Fire Next Time, Baldwin found himself charged with a new responsibility and an expectation to embody the role of “emotional and spiritual historian” for the movement. Traveling with the activist and writer, Schapiro was thrust into the heart of the movement where he documented the realities of voter suppression, police intimidation, and the necessity for civil disobedience. Even amidst the turmoil, and certainly because of it, both artists were able to capture the symbols of community and love rising from the very real violence and tension happening throughout the South.

After Schapiro’s photo-essay ran in Life in March of 1963, he was assigned to cover the South in even greater depth. These assignments produced images that are now part of the American collective subconscious: George Wallace standing in the schoolhouse door at the University of Alabama, the March on Washington, Civil Rights leader John Lewis in Clarksdale, Mississippi, and Dr. Martin Luther King Jr. leading the march from Selma to Montgomery in 1965. Schapiro’s photographs from this time are some of the most important historical documents of the American 20th century. While his photographs certainly document the darker side of the struggle, Schapiro also manages to relay the constant reliance upon love, community, and faith that became the legacy of King and his Civil Rights Movement.

Although a half-century has passed since the pair traveled south, Schapiro’s photographs seem perhaps even more relevant and poignant today. Concurrently, in 2017, Baldwin is being rediscovered and taught as a contemporary voice. Civil Rights leader and U.S. Congressman John Lewis reflects in the introduction to this new edition, “So much has changed in America since the 1960’s. Yet, at the same time it is jarring to realize that the fundamental struggle for human dignity is still teeming in American streets.” Lewis goes on to note the signs in Schapiro’s photographs “could be the message of the protest today: ‘We March for First Class Citizenship Now,’ ‘We March for Jobs for All Now,’ ‘Stop Police Killings’.” This incisive observation shows that Schapiro’s Freedom Now and Taschen’s publication of The Fire Next Time are not only recollections of our past, but necessary reflections of our present.

In the early 1960’s Steve Schapiro began working as a freelance photographer for publications such as Life, Rolling Stone, TIME and Newsweek. Schapiro worked amid the height of the Civil Rights Movement and captured some of the most poignant moments of the time. Schapiro recently delved back into his photographic archives and as a result, the exhibition will include several previously unseen and unpublished images from Schapiro’s time documenting the Civil Rights Movement. Schapiro worked extensively throughout the 1960’s covering stories on American culture and politics. In the 1970's and 1980's, Schapiro continued his documentary projects and worked in Hollywood photographing behind the scenes of iconic films including “The Godfather”, “Taxi Driver”, “Chinatown”, and “Midnight Cowboy”. His work has been collected, exhibited, and published internationally. Steve Schapiro lives and works in Chicago.

ARTNET

http://www.artnet.com/artists/steve-schapiro/

Steve Schapiro is a photographer and photojournalist who captured some of the most important historical events of the 1960s and 1970s. Schapiro also produce memorable films stills for The Godfather (1972) and Taxi Driver (1976), as well as portraits of David Bowie and James Baldwin. Born in New York, NY in 1934, his interest in photography began at the age of 9 and was furthered by his study of Henri Cartier-Bresson’s work. Schapiro went on apprentice with the renowned photojournalist W. Eugene Smith, who deeply influenced his own work. “I stayed with Eugene Smith in 1961 and he really taught you how to make prints in terms of getting intense blacks and intense whites,” he said of his mentor. That same year, he began working as a freelance photojournalist, with his images appearing in publications such as LIFE, Vanity Fair, Newsweek, and Time. Among his seminal images are those of Martin Luther King in 1963 and Robert F. Kennedy’s presidential campaign. Known for his compassionate and activist approach to his subjects, his works played an important role in bringing issues such as the Civil Rights Movement, immigration, and narcotic addition to national attention. The artist lives and work in Chicago, IL. Today, Schapiro’s photographs are held in the collections of the Metropolitan Museum of Art in New York, the J. Paul Getty Museum in Los Angeles, and the High Museum of Art in Atlanta, among others

Through the Lens - Steve Schapiro

https://www.youtube.com/watch?v=n3BUnFxeG7Q

Iconic photographer Steve Schapiro describes the moments behind some of his most powerful photos of the civil rights movement. From his friendship with author/activist James Baldwin to haunting insights from the fateful day that Dr. Martin Luther King was assassinated.

Capturing Icons of the 1960s, ‘70s: Behind the Lens of Steve Schapiro

https://news.wttw.com/2018/10/23/capturing-icons-1960s-70s-behind-lens-steve-schapiro

Before he took photos of David Bowie, Marlon Brando and Barbra Streisand, a noted photographer aimed his camera at Dr. Martin Luther King, Rosa Parks and James Baldwin. A pair of new exhibitions offer a side of celebrity but focus on one man’s view of the struggle for civil rights. VIDEO Steve Schapiro

Steve Schapiro worked for Time and Life magazines during the golden age of photojournalism. We met him for the inside story of how he witnessed history and documented it.

More on this story

Steve Schapiro is still taking photos. Although he is now based in Chicago, he is creating a book of photographs of his native New York. The exhibitions of his work are currently at the Illinois Holocaust Museum in Skokie and the Gage Gallery of Roosevelt University.

Below, a story we did on Steve Schapiro in 2014 where he tells stories what it was like to photograph David Bowie and to be the set photographer on “The Godfather.” VIDEO II. Steve Schapiro

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