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Autor:	redakcija
Datum objave:	11.03.2012
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Japan Hrvatskoj

diplomati umjetnici

Japan Hrvatskoj

diplomati umjetnici, osobiti pleter

Balet i diplomacija – to dvoje možda i nije najprirodniji slog. Ali, Yosuke Nakae, bivši japanski Veleposlanik u Kini, uz djelovanje na diplomatskom području, svojim poslom u različitim mjestima poput Brazila, Sjedinjenih Američkih Država, Vijetnama, Francuske, ex- Yugoslavije,Egipta…… je, ustrajno, uspješno objedinio ove “discipline” da bi postigao jedan cilj: sve pouzdanije medjunarodno razumijevanje.

''Moje dvije strasti su se ujedinile u neobičnoj kombinaciji, u kojoj se nadopunjuju,'' rekao je Ekselencija Nakae.

Njegova strast za diplomacijom i kazališnim umjetnostima, je bila nastala nakon Drugog svjetskog rata. Iskustvo tokom rata, rezultiralo je misijom – da više ne bude rata u svijetu. ''Htio sam učiniti svijet mjestom “bez rata ili čak bez država”. Postati diplomatom je bio najizravniji put za postizanje toga cilja,'' rekao je Yosuke Nakae.

Postao sam članom japanskog Ministarstva vanjskih poslova (Foreign Ministry) – 1947. Približno, u to vrijeme, susreo sam "shingeki," novi tip kazališne izvedbe, u Osaki, i bio opčinjen snagom dramskih umjetnosti. U prvim godinama, u Ministarstvu, formirao sam kazališnu grupu Kasumi – za, i postavio nekoliko predstava s članovima grupe iz Ministarstva.

Svojim iskustvom u Francuskoj, shvatio sam da dramske umjetnosti,umjetnosti govorne riječi, u prijevodu, često gube važnu nit, i počeo sam tada istraživati mogućnosti izvođenja bez govorene riječi, neverbalne izraze, što me je postupno i pouzdano odvelo u plesnu umjetnost - balet. 'U medjunarodnim zgodama, okupljanjima, u baletu mogu, zajednički, uživati ljudi iz različitih zemalja, bez jezične barijere,'' rekao je Nakae.

Bio je u Francuskoj, 1952. i za dvije godine koje je proveo tamo, bio je na oko 400 kazališnih izvedaba. U međuvremenu, preveo je djelo koji je napisao, na francuski, i pokazao ga francuskom kazališnom producentu, a njemu se svidjelo. Djelo je trebalo biti u to vrijeme, scenski postavljeno, kao predstava, no tada je redatelj umro od srčanog udara. ''Da se predstava postavila, prestao bih biti diplomatom i ostao bih u Parizu, kao, vjerojatno, siromašan spisatelj dramskih djela,'' rekao je, smiješeći se, Ekselencija Yosuke Nakae, sjećanjem na te svoje značajne dane.

Pa, ''na sreću ili na nesreću'', otišao je, opet u Japan, gdje je pod pseudonimom Kan Kasumi, pisao dramska djela i scenarije, te je napisao sedam drama i četiri baleta, od kojih su prva dva izvedena u Tokyu, Zagrebu i Cairu.

''Kazališna umjetnost mi je uvijek bila poput slobodne aktivnosti. Kao što neki ljudi igraju golf u slobodno vrijeme, ja pišem scenarije,'' rekao je H.E.Yosuke Nakae alias Kan Kasumi.

Visit to Zagreb and presence at the grand opening of the International Folklore Festival at the main Zagrebian square, motivated notable Japanese intellectual, diplomat and artist His Excellency Yosuke Nakae to accept the invitation to see the building of Croatian National Theatre that impressed him by the architectural style and acoustic characteristics of the interior and he immediately offered the opportunity of performing his piece “Inochi” (''Life'') at that scene at the center of one of the most beautiful squares of Europe, a piece that was created along with the music by composer Shin –Ichiro Ikebe, who worked with famous Kurosawa, as his steady movie music composer, starting from Kagemusha….

Ballet artist, pedagogue and choreographer from Sarajevo, who was at that time also the general manager of the Ballet of the Theatre from Sarajevo,Mr.Slavko Pervan, accepted the challenge and it was arranged, by the support of Croatian artist MO Igor Kuljerić, who was at that time artistic manager of international Music Biennale, in Zagreb, that the opening of the big musical-scenic manifestation would be on 9th May, 1981., by the piece Inochi, created by the artistic tandem Kan Kasumi - Shin-Ichiro Ikebe. It was a great celebration of art, uniting of the cultures, and international endearment induced by the piece that speaks of humanity and love, which was readable to all sides of the world and shapes of tradition of the civilisation.

About the success of the Japanese piece in Zagreb was written by the greatest Japanese daily newspapers, central television NHK broadcasted the reportage about Zagreb as “an urban pearl” of the most beautiful middle-European tradition, and ovations of the endeared audience at the end of the performance, at the Croatian National Theatre hall, were a sensation for the Japanese television audience of million people. High quality relation between the representatives of Japanese elite of the spirit and diplomats, with Croatian artists and scientists was established, so that nucleus was a guarantee of new wave relationships between the cultures, that was especially significant and valuable at the times of the war in Croatia, when in March, 1993, H.E.Yosuke Nakae alias Kan Kasumi, and composer Shin Ichiro Ikebe visited Zagreb, again, with their piece “Mobile et Imobile”, that was, with group Croatia, performed at the scene of the Croatian National Theatre, on 26^th March, choreography was by Svebor Sečak, scenography by Aleksandar Augustinčić, and prima donna of the Opera in Tokyo was present, famous Japanese mezzo-soprano Naoko Ihara, who interpreted her role of Azucena in Verdi's “Il Trovatore” to Zagrebian opera audience, on 24^th March, as her gift to the Opera fans at the Croatian capital. Those were great events of art in Zagreb, in 1993, at the time when nobody of all the people that enjoyed performing at Croatian stages from Zagreb to Dubrovnik in former years had the determination to come and give a piece of her or his artistic treasure.