Mozart - Così Fan Tutte (2006)
http://www.youtube.com/watch?v=8OUrafVroho
Cosi Fan Tutte (1) Overture + E la fede delle femmine
http://www.youtube.com/watch?v=AfAu_NrT0AY&list=PLFDF0AA31F4FBBE31
James Levine
Fiordiligi Carol Vaness
Dorabella Susanne Mentzer
Despina Cecilia Bartoli
Ferrando Jerry Hadley
Guglielmo Dwayne Croft
Alfonso Thomas Allen
Così fan tutte
http://www.metoperafamily.org/metopera/season/synopsis/cosi-fan-tutte
Così fan tutte
Libretto by Lorenzo Da Ponte
World premiere: Vienna,
Court Theater, January 26, 1790
Act I
Naples,
late 18th century. Two young officers, Ferrando and Guglielmo, boast about the
beauty and virtue of their girls, the sisters Fiordiligi and Dorabella. Their
older friend, the cynical Don Alfonso, declares that a woman’s constancy is
like the phoenix—everyone talks about it but no one has ever seen it. He
proposes a wager of one hundred sequins: if they’ll give him one day and do
everything he asks, he will prove to them that the sisters are unfaithful, like
all other women. Amused, the young men agree.
Fiordiligi and Dorabella think of their lovers, imagining
that they will soon be married (Duet: “Ah, guarda sorella”). Alfonso’s plot
begins when he arrives with terrible news: the young officers have been called
away to their regiment. Ferrando and Guglielmo appear, apparently heartbroken,
and the four make tearful farewells. As the soldiers leave, the two women and
Alfonso wish them a safe journey (Trio: “Soave sia il vento”).
The sisters’ maid Despina complains about how much work she
has to do around the house. The girls enter and Dorabella vents her despair
(“Smanie implacabili”). Despina refuses to take them seriously: they should
simply find new lovers, since men are unworthy of a woman’s fidelity (“In
uomini, in soldati”). Fiordiligi and Dorabella are shocked. Alfonso arrives and
bribes Despina to assist him, without revealing his plot. Ferrando and
Guglielmo enter, disguised as “Albanians,” and declare their admiration for the
ladies, each addressing the other’s girlfriend. The sisters firmly reject their
advances, Fiordiligi comparing her constancy to a rock in a storm (“Come
scoglio”). The men are confident of winning the bet. Ferrando expresses his
love for Dorabella (“Un’aura amorosa”), and the two friends leave.
As the sisters continue to lament the absence of their
lovers, the “foreigners” return, pretending to have poisoned themselves in
despair over their rejection. Despina and Alfonso go off to fetch help, leaving
the two girls to care for the strangers, who find the situation highly amusing.
Despina reappears disguised as a doctor and pretends to draw out the poison
with a magnet. When Ferrando and Guglielmo request kisses in order to fully
recover, the sisters again reject them, but it is clear they’re beginning to
show interest in the strangers.
Act II
Despina lectures her mistresses on how to handle men (“Una
donna a quindici anni”) and the sisters agree that there can be no harm in a
little flirtation. They decide on their partners, each picking the other’s
suitor. Guglielmo, flirting with Dorabella, succeeds in replacing her portrait
of Ferrando with his own gift (Duet: “Il core vi dono”). Ferrando has less luck
with Fiordiligi, but when he has left, she struggles with her emotions (“Per
pieta, ben mio”).
Ferrando is certain that they have won the wager. Guglielmo
is happy to hear that Fiordiligi has been faithful to him, but when he shows
his friend the portrait he took from Dorabella, Ferrando is furious. Guglielmo,
adopting Alfonso’s philosophy, blames it on the women (“Donne mie, la fate a
tanti!”). He asks Alfonso to pay him his half of the winnings, but Alfonso
reminds him that the day is not yet over.
Fiordiligi reproaches her sister for her behavior, but
Dorabella replies that love is a thief who rewards those who obey him (“È amore
un ladroncello”). Alone, Fiordiligi decides to join Guglielmo at the front,
when suddenly Ferrando appears. He tries one last time to seduce her and
succeeds.
Guglielmo is furious, but Alfonso again declares that this
is the way women are. A man who has been deceived can blame only himself.
The sisters have agreed to marry the “foreigners.”
Everything is ready and Alfonso arrives with the notary—Despina in another
disguise. As Fiordiligi and Dorabella sign the contract, military music
announces the return of their former lovers. In panic, they hide their intended
husbands, who return as their real selves, first pretending surprise at their
reception, then, when they discover the marriage contract, blaming the girls
and threatening revenge. Finally, the men reveal their disguised identities and
Fiordiligi and Dorabella ask forgiveness. Alfonso bids the lovers learn their
lesson.
Così fan tutte
http://en.wikipedia.org/wiki/Così_fan_tutte
Così fan tutte, ossia La scuola degli amanti (Thus Do They
All, or The School for Lovers) K. 588, is an Italian-language opera buffa in
two acts by Wolfgang Amadeus Mozart first performed in 1790. The libretto was
written by Lorenzo Da Ponte.
Così fan tutte is one of the three Mozart operas for which
Da Ponte wrote the libretto. The other two Da Ponte-Mozart collaborations were
Le nozze di Figaro and Don Giovanni.
Although it is commonly held that Così fan tutte was written
and composed at the suggestion of the Emperor Joseph II, recent research does
not support this idea. There is evidence that Mozart's contemporary Antonio
Salieri tried to set the libretto but left it unfinished. In 1994, John Rice
uncovered two terzetti by Salieri in the Austrian National Library.
Così fan tutte Synopsis
http://classicalmusic.about.com/od/Opera-Synopses/qt/Cosi-Fan-Tutte-Synopsis.htm