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Rimsky-Korsakov: Scheherazade

Gergiev · Vienna Philharmonic

Rimsky-Korsakov: Scheherazade / Gergiev · Vienna Philharmonic · Salzburg Festival 2005

https://www.youtube.com/watch?v=SQNymNaTr-Y

Gran presentación de la Orquesta Filarmónica de Viena dirigida por Valery Gergiev, interpretando la famosa obra "Scheherazada" del compositor ruso Nikolai Rimsky-Korsavov, en el Festival de Salzburgo 2005.

Great presentation of Vienna Phiharmonic conducted by russian Maestro Valery Gergiev, playing the russian work "Scheherazade" of Nikolai Rimsky-Korsakov, at Salzburg Festival 2005.

Scheherazade (Rimsky-Korsakov)

http://en.wikipedia.org/wiki/Scheherazade_%28Rimsky-Korsakov%29

 Scheherazade (Russian: Шехерaзада, Shekherazada in transliteration), Op. 35, is a symphonic poem composed by Nikolai Rimsky-Korsakov in 1888. Based on One Thousand and One Nights, sometimes known as The Arabian Nights, this orchestral work combines two features typical of Russian music and of Rimsky-Korsakov in particular: dazzling, colorful orchestration and an interest in the East, which figured greatly in the history of Imperial Russia, as well as orientalism in general. It is considered Rimsky-Korsakov's most popular work. The music was used in a ballet by Michel Fokine. This use of the music was denounced by the Rimsky-Korsakov estate, led by the composer's widow, Nadezhda Rimskaya-Korsakova

During the winter of 1887, as he worked to complete Alexander Borodin's unfinished opera Prince Igor, Rimsky-Korsakov decided to compose an orchestral piece based on pictures from One Thousand and One Nights as well as separate and unconnected episodes. After formulating musical sketches of his proposed work, he moved with his family to the Glinki-Mavriny dacha, in Nyezhgovitsy along the Cheryemenyetskoye Lake. During the summer there he finished Scheherazade and the Russian Easter Festival Overture. Notes in his autograph orchestral score show that the former was completed between June 4 and August 7, 1888. Scheherazade consisted of a symphonic suite of four related movements that form a unified theme. It was written to produce a sensation of fantasy narratives from the Orient.

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