Sedam slavnih baletnih izvedaba….na svjetskim scenama
Спящая красавица
http://www.youtube.com/watch?v=ZbIYReoeqEM&feature=related
Классический балет "Спящая красавица".
Принцесса Аврора - Наталья Огнева; принц Дезире - Николай
Чевычелов; Фея Карабос - Полина Кырова; Фея Сирени - Алёна Подавалова.
Хореография: М. Петипа, Н. Касаткиной и В. Василёва.
Труппа - "Балет Василёва и Касаткиной"
Москва, "Новая Опера", 20 апреля 2010 года.
Cinderella – Prokofiev, Nureyev
http://www.youtube.com/watch?v=TqJIzUse-Us&feature=related
Год выпуска: 2008,Страна: Франция,Жанр: балет,Продолжительность:
02:05:49
Перевод: Не требуется ,Хореограф: Рудольф Нуреев
В ролях:
Cinderella - Agnès Letestu,The Movie Star - José Martinez,The
Sisters - Laëtitia Pujol & Stéphanie Romberg,The Mother - Stéphane Phavorin,The
Producer - Wilfried Romoli
Артисты Paris Opera Ballet ,Описание:,Paris Opera Orchestra,
дирижер - Koen Kessels
Премьера спектакля - 25 октября 1986 г. Palais Garnier,
Paris,Запись - 24, 26, 28 апреля 2008 г. Palais Garnier, Paris
New Coppelia,at the Bolshoi,inserti
http://www.youtube.com/watch?v=EaijUKn0I0A&feature=related
1
http://www.youtube.com/watch?v=bS2ZnFVWarE&feature=related
2
ROH,Covent Garden,London
Swan
Lake, performed, at the
Royal Ballet
http://www.youtube.com/watch?v=3gsfNUQivVU&feature=related
c.v.
http://en.wikipedia.org/wiki/Marianela_Núñez
c.v.
http://en.wikipedia.org/wiki/Thiago_Soares
fotosi
http://www.google.com/search?q=thiago+soares&hl=en&client=opera&hs=Pd0&rls=en&channel=suggest&prmd=imvnso&tbm=isch&tbo=u&source=univ&sa=X&ei=gmQdT6-TOMXs-gbYtKihCg&ved=0CDEQsAQ&biw=991&bih=637
c.v.
http://www.mikhailovsky.ru/en/content/valery-ovsyanikov/
Giselle.at the Royal Ballet, 2006.
http://www.youtube.com/watch?v=jXUbJty3UNI&feature=related
Giselle is the quintessential romantic ballet. Its title
role, one of the most technically demanding and emotionally challenging in
classical repertory, is here danced by Alina Cojocaru partnered by Johan
Kobburg as Count Albrecht.
Giselle, Boljšoj,1956., Galina Ulanova,
http://www.youtube.com/watch?v=GSBomZcDEuk&feature=related
Giselle 1
http://www.youtube.com/watch?v=2YFIQc9iKqQ&feature=related
Giselle 2
http://www.youtube.com/watch?v=IiepFSwIMZQ&feature=related
Giselle 3
http://www.youtube.com/watch?v=itguYpHARxo&feature=related
Giselle 4
http://www.youtube.com/watch?v=4aOE6eXlfT8&feature=related
Giselle 5
http://www.youtube.com/watch?v=vH6_tFRdpy4&feature=related
Giselle 6 end…
Russian Ballet Icons Gala; 100-Year Anniversary of Galina
Ulanova
The Russian ballerina Galina Ulanova is a true legend in the
world of classical ballet. Her dramatic interpretations plumbed deep into the
human soul and revealed its full gamut of emotion and poetic beauty. In her
private life, she was a shy and gentle person but on stage, she came to life
embodying her characters with heartfelt emotion, refinement and realism, often
giving to the smallest detail, an enormous lasting impression—(who can forget
her love-smitten Juliet seeing Romeo’s unmasked face for the first time? Or the
now-legendary run, with billowing cape to seek help from Friar Lawrence, every
step telling of the agony she was facing?)
This gala celebrating the centenary of Ulanova’s birth was
the sixth in a series presented by Ensemble Productions, honouring Russian
dance icons. It was directed by Vladimir Vasiliev, a legend himself, and by
Royal Ballet principal, David Makhateli. Twenty-three star dancers from nine of
the world’s top companies participated in the three hour-long tribute, which
also showed (far too few) clips of Ulanova in some of her greatest roles.
These, though crackly and grainy, still have the power to draw us into her
magic spell.
The smorgasbord on offer to the packed auditorium included
many classical extracts associated with the great ballerina and also some more
contemporary works. Being a pioneer, seizing every opportunity to try new
styles, Ulanova probably would have been intrigued with the two contemporary
pieces on show. Le Parc, choreographed by Angelin Preljocaj, was interpreted
with momentous strength and great control by Nadia Saidakova and Vladimir
Malakhov from Staatsballett Berlin, while performing Jean-Christophe Maillot’s
La Belle Pas de Deux, Bernice Coppieters and Alexis Oliviera from Les Ballets de
Monte-Carlo, quickly glued themselves together in a kiss and only came up for
air after split-timing and physically challenging, athletic activity. From the
Novosibirsk State Ballet, director Igor Zelensky and Tatyana Gorokhova danced
elegantly to Sinatra’s smoochy singing in Twyla Tharp’s Sinatra Variations,
while that ever-popular gala offering, the Diana and Acteon pas de deux, was
performed with sharp technique by Dorothee Gilbert (Paris Opera Ballet) and
powerhouse physicality of Royal Ballet’s Thiago Soares. English National Ballet
was represented by Daria Kilimentova and Vadim Muntagirov, both showing
sparkling form in Balanchine’s flashy Tchaikovsky pas de deux, especially the
21-year-old Vadim whose whirlwind turns and soaring leaps brought roars from
the audience. Not to be out done, the Bolshoi’s Ekaterina Krysanova wowed with
her multiple hole-boring, break-neck fouette turns in The Flames of Paris as
her partner, Vladislav Lantratov showed off with high turning leaps and a
charismatic personality.
So, onto the classical extracts closely connected to Galina
Ulanova. Having known her in her later years, I was eager to see if any
ballerina would emulate her unique style. Closest came Ulyana Lopatkina, the
prima ballerina of the Mariinsky Ballet, Ulanova’s original company, partnered
by Marat Shemiunov (Mikhailovsky Ballet). In both her pieces, Les Sylphides and
Asaf Messerer’s Orpheus and Eurydice, she floated as light as thistledown, her
neat feet barely touching the ground., completely lost in her dancing. Also
stunning was Svetlana Zacharova (Bolshoi) who, in The Dying Swan solo,
presented the ultimate in rippling arms and quivering feet, injecting the short
but poignant work with pathos. She returned in Vladimir Vasiliev’s powerful
ballet Macbeth, (which Ulanova had coached), as the conniving, heartless Lady
Macbeth, her legs shooting up like rapiers around her guilt stricken husband,
(Andrei Uvarov, Bolshoi)
No one can emulate Ulanova’s legendary Juliet but the
Mariinsky’s glorious young ballerina Evgenia Obraztsova showed us a delicate
starry-eyed teenage heroine, her dancing bubbling over with joy. Her Romeo was
David Makhateli an ardent lover who jubilantly shot around the stage showing
sharp six-o-clock jetes. Another of Ulanova’s most notable roles was in The Red
Poppy, and here Darya Khokhlova (Bolshoi) presented a perky, charming and
technically secure Tao-Hoa.
Two students (Olga Smirnova and Sergey Strelkov) from
Ulanova’s early training ground, the Vaganova School, danced Messerer’s Dvorak
Melody with great feeling and sensitivity, while the Bolshoi’s Svetlana Lunkina
and Dmitri Gudanov performed the pas de deux from Act 2 of Giselle, Lunkina’s
delicate, expressive body and disciplined controlled balances evidencing her
other-worldliness.
For the finale, all the dancers, who had been accompanied by
the rich tones of the Orchestra of English National Ballet, conducted by Valery
Ovsyanikov, came out, couple by couple to lay flowers under Galina Ulanova’s
photo in tribute to a truly great ballet legend.
Submitted by Margaret Willis on 18th May 2011
Maximova and Ulanova rehearsing Anyuta
http://www.youtube.com/watch?v=o_a_tfT6R0U&feature=related
Galina Ulanova, u 86.na probi Romea i Julije
http://www.youtube.com/watch?v=Y_7F6AiHtco&feature=related
Romeo and Juliet,at the Royal Ballet, 2007.
http://www.youtube.com/watch?v=suEjRfEY2fI&feature=related
Great casting in this! Tamara and Carlos, are amazing in the
lead roles.Tamara said about this choreography-that the words are in the steps.
SO true! Thanks for the upload!
Performance of Kenneth Macmillan's ballet realised in Covent Garden in 1965….
Sir Kenneth MacMillan's Romeo and Juliet has long been one
of the greatest successes in The Royal Ballet repertoire,winning worldwide
acclaim as an impassioned and thrilling view of Shakespeare's tragedy and of
Prokofiev's glorious score. His sensual choreography poignantly captures the
conflict between blossoming love and cankerous revenge.Romeo and Juliet calls
upon the full forces of a great company of dance-actors to present the street
fights of the feuding Capulets and Montagues in renaissance Verona, and also to convey the splendour of
such scenes as the Capulet’s ball. It also requires a ballerina and a premier
danseur able to express the raptures and despair
that mark the young lovers' tragedy. In Tamara Rojo and
Carlos Acosta,the roles are lived with tremendous intensity, whether soaring
during the balcony pas de deux or caught in the last agonizing moments in the
Capulet vault.
Rojo & Acosta rehearsing, dancing and talking of R&J
http://www.youtube.com/watch?v=THwMG1G7gtQ&feature=related
Royal Ballet in Havana
http://www.youtube.com/watch?v=zYf4miZSB-U&feature=related
Prima Ballerina Assoluta
http://www.youtube.com/watch?v=fnT41OOsGd0&feature=related
Alicia Alonso interpretó por primera vez Giselle en Nueva
York en la decada de 1940. Este video la muestra desde los años '60 cuando
tenia cuarenta y pocos años hasta el '93 que bailó Giselle por ultima vez a la
edad de 72 años.
La primera vez que se utilizó en el mundo el titulo de Prima
Ballerina Assoluta fue 1894 cuando Marius Petipa se lo otorgo a la Italiana
Pierina Legnani por ser, a su juicio, la bailarina suprema en Europa en esa
época.
La segunda bailarina a la que se le otorgó dicho titulo fue
a Matilde Kshesinskaia.
Las únicas dos bailarinas a las que se les otorgo el título
de Prima ballerina assoluta durante la era sovietica fueron Galina Ulanova y
Maya Plisetskaya.
En occidente , durante el siglo XX solo han recibido el
titulo de Prima Ballerina Assoluta las britanicas Dame Alicia Markova y Dame
Margot Fonteyn y la cubana Alicia Alonso.
Ninguna otra bailarina ha sido nombrada con esta suprema
distincion a lo largo de la historia del
ballet clasico
Coppelia, ballet by Leo
Delibes, ROH, Covent Garden,London
http://www.youtube.com/watch?v=IIGrhRHVPDs&feature=related
http://www.youtube.com/watch?v=K5VgnfdokOs&feature=related
http://www.youtube.com/watch?v=PQw0SUvIcx0&feature=related
http://www.youtube.com/watch?v=CWMayOHsOOY&feature=related
II.
http://www.youtube.com/watch?v=kIUJaoeE4GE&feature=related
http://www.youtube.com/watch?v=pET3_QXVC80&feature=related
http://www.youtube.com/watch?v=sR7m9UT3u-8&feature=related
http://www.youtube.com/watch?v=Ea2Ebf1zu38&feature=related
III.
http://www.youtube.com/watch?v=ZJwp3W2Ntds&feature=related
http://www.youtube.com/watch?v=8IiKF7iivkE&feature=related
http://www.youtube.com/watch?v=3O3p-UvWye0&feature=related
http://www.youtube.com/watch?v=wkkT45qj1Aw&feature=related