Autor: Johannes Nauber
Datum objave: 24.09.2013
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Sergiu Celibidache

in Rehearsal with London Symphony Orchestra

Sergiu Celibidache in Rehearsal with London Symphony Orchestra. G

http://www.youtube.com/watch?v=7yM-cPpPKKQ

 

Sergiu Celibidache Maestro furioso 2012

http://www.youtube.com/watch?v=hG-biP9kwjo

 

 

Sergiu Celibidache

http://en.wikipedia.org/wiki/Sergiu_Celibidache

Obituary: Sergiu Celibidache

http://www.independent.co.uk/news/people/obituary-sergiu-celibidache-1309910.html

Among the most idiosyncratic of orchestral conductors, Sergiu Celibidache was a rare figure in Britain, where his visits in the past 40 years can be counted on the fingers of one hand. Always a perfectionist, he priced himself beyond most orchestral budgets by his demands for rehearsal time, requiring a minimum of five or six sessions for any programme, and for similar reasons he restricted his association with orchestras with whom he was not familiar.

Yet his meticulous preparation made possible a degree of instinctive insight when it came to performance that could achieve powerful conviction. Documentary evidence of this came recently to hand with an hour-long video, commercially issued in Britain in 1992, of which over half is devoted to the conductor's rehearsal session with the Munich Philharmonic Orchestra for the performance of Prokofiev's "Classical" Symphony that follows thereafter.

Working as usual without a score for music he already knew down to the smallest detail, and letting the orchestra leader give any necessary cues, he is seen to smile and joke with the players (in German, of course; English subtitles are added) to illuminate his batonless gestures. His ultra-sensitive ears fasten on the slightest deviation from his intentions, and he sings the phrase as he wanted it. Yet the performance which follows, so assiduously prepared, comes across with astonishing freshness and apparent spontaneity.

 

He once said that the quality of an orchestra governed the number of rehearsals he needed, and the better the orchestra the more he rehearsed it, because the possibilities were greater. "There is no miracle in music," he declared, "only work." On occasion he did go too far, once so exacerbating a Rome orchestra in a particularly trying session that the players threw their music at him, bringing an abrupt cancellation of the engagement and a permanent rift.

 

photos

https://www.google.hr/search?q=sergiu+celibidache&client=opera&hs=Mza&channel=suggest&tbm=isch&tbo=u&source=univ&sa=X&ei=7MJAUsvlMsqbtQbj5YCQBw&ved=0CDcQsAQ&biw=1024&bih=651&dpr=1

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