Zora Dubrovačka - Redatelj Branko Ivanda govori o atmosferi
na snimanju
Autor: Ružica Đukić/S.K.
Vodimo na
set Zore Dubrovačke, nove dramske serije koja će se od jeseni prikazivati na
programu Nove TV. Ovoga puta, sa serijom i glumcima će vas pobliže upoznati
glavni
redatelj Branko Ivanda.
http://dnevnik.hr/showbuzz/inmagazin/zora-dubrovacka---300496.html
Serija započinje,15.rujna,2013.u 20 sati,u programu Nove TV
Branko Ivanda, glavni redatelj nove serije Zora Dubrovačka,
najzaslužnija je osoba za dobru atmosferu na snimanju. Tijekom druženja s
ekipom koja radi na Zori, nijednom ga nismo vidjeli da je povisio ton, a ipak
je veliki autoritet svim glumcima.
Njegovu priču o glumcima s kojima snima seriju Zora
dubrovačka pogledajte u priloženom videu inMagazina.
Branko Ivanda:
“Despot je čudo od glumca.On daje čitavoj priči jednu
čvrstinu.Sa Desptom imam iskustvo,a i privatno prijateljstvo, još kad smo
snimali zajedno film Konjanik,on je kao stup koji nosi sa sobom čitav
problem,pola ekipe, i to se vidi sve kroz njegovu ulogu; kad se pojavi on
u svojoj sekvenci, u svojoj sceni, ti
imaš osjećaj da on nosi tu scenu.”
Dragan Despot:
“Za mene Branko nije samo redatelj s kojim sam radio, za
mene je Branko i prijatelj,tako da je to uvijek za mene rad više i druženje
više od onog profesionalnoga I moja odgovornost prema takvom čovjeku kao što je
on,je uvijek bila veća.”
Branko Ivanda:
Glumca izabirem po njegovu izgledu,po njegovu talentu i svemu
što odgovara ulozi,a onda odjednom shvatim da neki glumac donosi više nego što očekujem,a
to je isto dar božji
Mladen Vulić je profesionalac i intuitivac i on uvijek ima
dodati nešto više - on eksplodira na
neočekivan način,on zaplače na neočekivan način,smije se u trenutku kad ne
očekuješ,on spada medju glumce koje najradje biram
Vanessa je intuitivnog odnosa prema tekstu, i prema
situaciji i prema drugim licima,gotovo se “baca naglavce” u situacije
Alen Liverić,nadaren,
profesionalac koji umije savladati pravo nadahnuće
Ljiljana
Perčin je divna osoba s kojom je užitak raditi, uvijek posve spremna za ulogu
svakoga trenutka i zadovoljtsvo je s njom raditi,spremna prihvatiti svaku sugeriranu nijansu u radu,kada je potrebno..
Branko
Ivanda:
”Boris
Ler je za mene otkriće,to je sarajevski mladi glumac koji je vrlo nadaren i
mislim da je donio jednu svježinu čitavoj seriji, a Barbara Bilić će biti
otkriće,ona je zaljubljena u taj posao,ona otkriva sebe,ona sebe pronalazi i
lijepo je jedno glumački nevino biće otkrivati ponovo.Mislim da će oni, kao par,
jako puno donijeti čitavoj seriji.
A dao sam
Barbari savjet:- Budi potpuno prirodna i zaboravi tko je sve oko tebe.
Veliki
engleski glumac Anthony Hopkins je rekao, kada su ga pitali kako se priprema za
ulogu, i to sam reako Barbari, - najprije naučim tekst, onda mi je sve drugo
lako..
Presudno
je da čovjek te elementarne stvari, sve savlada, kao što snimatelj radi - slika se mora vidjeti, to je osnovno, pa
je atmosfera, a i sve ostalo, tada još dodatak ukupnom djelu”
Anthony Hopkins - Acting
style
Hopkins
is renowned for his preparation for roles. He has indicated in interviews that
once he has committed to a project, he will go over his lines as many times as
is needed (sometimes upwards of 200) until the lines sound natural to him, so
that he can "do it without thinking". This leads to an almost casual
style of delivery that belies the amount of groundwork done beforehand. While
it can allow for some careful improvisation, it has also brought him into
conflict with the occasional director who departs from the script, or demands
what the actor views as an excessive number of takes. Hopkins has stated that after he is finished
with a scene, he simply discards the lines, not remembering them later on. This
is unlike others who usually remember their lines from a film even years later.
Richard Attenborough, who has directed Hopkins on five occasions, found himself
going to great lengths during the filming of Shadowlands (1993) to accommodate
the differing approaches of his two stars (Hopkins and Debra Winger), who
shared many scenes. Whereas Hopkins,
preferring the spontaneity of a fresh take, liked to keep rehearsals to a
minimum, Winger rehearsed continuously. To allow for this, Attenborough stood
in for Hopkins
during Winger's rehearsals, only bringing him in for the last one before a take.
The director praised Hopkins
for "this extraordinary ability to make you believe when you hear him that
it is the very first time he has ever said that line. It's an incredible
gift."
Renowned for his ability to remember lines, Hopkins keeps his memory supple by learning
things by heart such as poetry, and Shakespeare. In Steven Spielberg's Amistad,
Hopkins astounded the crew with his memorisation of a seven-page courtroom
speech, delivering it in one go. An overawed Spielberg couldn't bring himself to
call him Tony, and insisted on addressing him as Sir Anthony throughout the
shoot.
Hopkins
is a gifted mimic, adept at turning his native Welsh accent into whatever is
required by a character. He duplicated the voice of his late mentor, Laurence
Olivier, for additional scenes in Spartacus in its 1991 restoration. His
interview on the 1998 relaunch edition of the British TV talk show Parkinson
featured an impersonation of comedian Tommy Cooper. Hopkins has said acting "like a
submarine" has helped him to deliver credible performances in his thriller
movies. He said, "It's very difficult for an actor to avoid, you want to
show a bit. But I think the less one shows the better.